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The butter cow!

(Source: donnajosh, via fuckyeahwestwing)

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Photoset

bostonreview:

The case for expanding Stop-and-Frisk. All credit where it is due.

For more on ethics and the economy, read our forum on Morals and the Free Market.

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newyorker:


MINNEAPOLIS (The Borowitz Report)—Historians studying archival photographs from four decades ago have come to the conclusion that the U.S. must have believed in science at some point.

Continue reading: http://nyr.kr/1kLL9l1

newyorker:

MINNEAPOLIS (The Borowitz Report)—Historians studying archival photographs from four decades ago have come to the conclusion that the U.S. must have believed in science at some point.

Continue reading: http://nyr.kr/1kLL9l1

(Source: newyorker.com)

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Photoset

gmpworld:

On writing

(Source: maxkirin, via berniewatt)

Link

the-right-writing:

These are what I would consider to be the most basic, bare-bones questions of character creation.

  • What would completely break your character?
  • What was the best thing in your character’s life?
  • What was the worst thing in your character’s life?
  • What seemingly insignificant memories stuck with…
Quote
"Dialogue is not just quotation. It is grimaces, pauses, adjustments of blouses, doodles on a napkin, and crossings of legs. When people communicate, they communicate with their faces, their bodies, their timing, and the objects around them. Make this a full conversation. Not just the words part."

— Jerome Stern, Making Shapely Fiction (via the-right-writing)

(via fuckyeahcharacterdevelopment)

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whisktakers:

Fiesta

So flipping cool.

whisktakers:

Fiesta

So flipping cool.

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amandaonwriting:

The storytelling elements:
1. The Contract

In the very beginning, you have to make a promise. Will this be violent? Scary? Fun? Tense? Dramatic?

2. The Pull

Keep it light in the beginning. You don’t want to scare people away by being too dense — you must trust The Contract.

3. The Incident

This is the event that sets everything in motion. Should occur early and keep the story together.

4. The Reveal

Just before the Point Of No Return, the main character learns what the story is really about.

5. Point Of No Return

The forces of good are faced with an impossible decision that concerns fear, safety, love, hate, revenge or despair.

6. Mini-Climax

Sorry, but you must allow the the forces of evil to have an epic win.

7. All-Is-Lost Moment

The moment where all is lost. You must portray the deepest despair for the forces of good.

8. News Of Hope

This is the possibility for one of the side characters to shine. A light that shines into the total darkness of the moment.

9. Climax

The shit hits the fan and the good puts everything at stake and overcomes — despite impossible odds.

10. The End

Public displays of relief and happiness, love and forgiveness. It’s great! We also learn that the hero has evolved.

Article from Doktor Spinn written by Jerry Silfwer aka Doktor Spinn

amandaonwriting:

The storytelling elements:

1. The Contract

In the very beginning, you have to make a promise. Will this be violent? Scary? Fun? Tense? Dramatic?

2. The Pull

Keep it light in the beginning. You don’t want to scare people away by being too dense — you must trust The Contract.

3. The Incident

This is the event that sets everything in motion. Should occur early and keep the story together.

4. The Reveal

Just before the Point Of No Return, the main character learns what the story is really about.

5. Point Of No Return

The forces of good are faced with an impossible decision that concerns fear, safety, love, hate, revenge or despair.

6. Mini-Climax

Sorry, but you must allow the the forces of evil to have an epic win.

7. All-Is-Lost Moment

The moment where all is lost. You must portray the deepest despair for the forces of good.

8. News Of Hope

This is the possibility for one of the side characters to shine. A light that shines into the total darkness of the moment.

9. Climax

The shit hits the fan and the good puts everything at stake and overcomes — despite impossible odds.

10. The End

Public displays of relief and happiness, love and forgiveness. It’s great! We also learn that the hero has evolved.

Article from Doktor Spinn written by Jerry Silfwer aka Doktor Spinn

(via fuckyeahcharacterdevelopment)